We were given a wonderfully  entertaining insight into her life and the interests which influence her textile work.

The wishbone was perhaps her childhood wish to live in the area of Beverley that she now calls home. Philippa, originally from Hornsea, admitted that after some time in Saudi Arabia she finally felt ‘Yorkshire’ again. Perhaps this ‘Yorkshireness’  provided the backbone in the form of Yorkshire Grit which she must possess enabling her to create her highly detailed unique quilts.

This grit must also come into play when, due to her own overenthusiasm her first minature quilt was disqualified, by competition judges, for being too large. She had use 12” instead of 30 cm as the overall measurement. Losing out on a major monetary prize must have taken some grit to swallow.

Philippa’s funny bone came across in the warm and humorous presentation she gave.  We look forward to hearing further stories of her quilting life.

Sue reflects on her background as the daughter of a Grimsby fish merchant in a town where fish was king as she was growing up. Using archive photographs Sue has created works which show the ‘haves’ and ‘have nots’ of her home town. Well dressed children holding large fleshy fish alongside barefooted ragamuffins with skeletal fish.

Sue’s work is largely hand stitched using basic straight stitches which she has developed and adapted over time. The stitching brings to life the faces of the people and the fabrics of the era.We followed her story from her early career to present day with great interest, bringing back memories of fashion and style for many of her listeners.

Sue is a member of the 62 Group, more information about her and this group can be found at http://www.62group.org.uk.

What links the 1718 patchwork Silk Coverelet, owned by the Quilters Guild, to events of 12th December 2019?

The answer lies in the process of investigation into the quilt’s construction. Using modern forensic techniques the  Quilters Guild have uncovered ( sorry!) some of the quilt’s secrets.

Within the intricate quilted blocks lie the original papers used to piece the quilt. These ranged from scraps to pages of religious text and a political poster. The poster advertised a meeting to discuss……Scottish Independence.

Heather gave us an in depth and fascinating talk about the importance of this quilt to the history of quilt making in England. We learned of the difficulty in constructing the quilt with it’s complicated curves. The fabric and the stitching have all been analysed to a high degree. Heather’s talk also gave us an insight into early 18th century society as the Quilters Guild and their researchers worked to discover the provenance of the quilt.

A wonderful interesting journey by way of an everyday object.

“handle with kid gloves”  “the gloves are off” “an iron hand in a velvet glove” “to throw down the gauntlet”

These are some of the many idioms in daily use demonstrating the place of gloves in our past and present.

Angharad has travelled the globe researching patterns and designs for knitted gloves.

With this knowledge she has moved into designing her own gloves based on traditional gloves she has observed. Having started her work on 4 needles she has now moved on to circular needles.

Her intricate designs were much admired by all EYES members.

Want to know more click on the links below.

http://www.fashionmuseum.co.uk/events/glove-stories

http://www.glovecollectioncatalogue.org